Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Wednesday, October 14, 2015

Cover Reveal! Gertie's Ultimate Dress Book

I've been so excited to blog this one because I am IN LOVE with this cover! My next book, Gertie's Ultimate Dress Book, is now up on Amazon for pre-order. It's releasing in March 2016.

Here's a little info on the book:
Every vintage-obsessed sewist dreams of having a closet full of gorgeous dresses. The follow-up to the popular Gertie’s New Book for Better Sewing and Gertie Sews Vintage CasualGertie’s Ultimate Dress Book is packed with all the information and patterns you could ever need to create a wardrobe filled with stunning vintage frocks. The book begins with all the essential techniques for dressmaking and includes instructions and patterns for 23 dresses for a variety of occasions. Elements of each pattern can be mixed and matched, allowing readers to customize the bodice, skirt, sleeves, pockets, and details of each dress for a truly unique creation.
The dress on the cover is called the Emerald Faille Party Dress and it's made from an amazing silk faille. It has a super structured boned bodice and very full skirt: it's a circle skirt with box pleats all around. The skirt and bodice are basic patterns included with the book, and then I show you how to make your own special details for each dress, like the halter strap (it closes with little rhinestone buttons in the back) and the bias band that goes across the bodice. There are tons of construction techniques like lining, underlining, using horsehair on hems and necklines, working with lace and beaded fabrics, and lots more.

I can't wait to show you more from the book!

P.S. Did you spot Henry on the cover?


Friday, February 27, 2015

Brown Hair, Puyallup, and More!



Well, the deed is done! I'm back to my (kinda sorta) natural hair color. It required an enormous amount of work to get it to this shade, so I can hardly think of it as really natural. But I'm sure it's someone's natural hair color. My big photo shoot for Gertie's Ultimate Dress Book is mere days away, and I have a closet full of 25 dresses ready to go. I'm happy with the color, and think it will make a nice neutral "accessory" for the frocks. I'll admit that I'm kind of fried from prepping for this shoot and I'm looking forward to the downtime from when it's over. I'm already planning what I'll sew for fun and relaxation! (Gracious, this sewing stuff is addictive.)

In the meantime, I'm headed to Puyallup for the Sewing & Stitchery Expo! Perhaps I will see some of you there? I'll be in the McCall's/Butterick/Vogue booth on Saturday (I'll be there all day signing books and such) and we're going to announce the Gertie's Grand Giveaway winner! There were so many amazing entries, and Butterick has created this super cool look book of all of them. It's so amazing seeing all these fantastically creative versions of my patterns!


Thank you so much to all who entered! I can't wait to reveal the big winner!

Thursday, February 12, 2015

Fifty Shades of Brunette


Goodness gracious, are you so sick of hearing about that Fifty Shades movie everywhere? I will fully admit to reading all three of books (all the while complaining about how terrible they are, yet unable to stop myself). But I think I must draw the line at seeing the movie. (Though seriously, go see it for me and report back please!)

Anyway, I'm much more interested in talking about shades of hair color at the moment. You see, I've almost certainly decided to go back to brunette later this week. In case you haven't been following my hair saga, I dyed it pink over two years ago, then went purple. Then came blue. And then purple again! I haven't seen my natural hair color in quite some time. And I've loved it. And I don't think I'm completely done with the crazy colors.

The thing is, there's the photo shoot for Gertie's Ultimate Dress Book in just a few weeks. I'm modeling 25 dress of various colors, textures, and prints. Add colored backdrops to the mix, and I felt like my purple hair color might clash in some of those photos. How about a nice neutral brunette instead?

The great thing is that I get to choose the brunette I'd like since my base hair is bleached at this point. And who can remember their natural hair color after so long anyway? So I've been collecting images on my pinterest board and having lots of fun doing it. I wouldn't mind something a little warmer and a bit red, like Lana del Rey's hair above. Or maybe even an outright auburn!


There's the classic deep chocolate Bettie.


Or Zooey.



Or maybe something a little paler.

[source]
Or, perhaps the wisest and safest bet: get the salon to try to match my actual natural hair color!



At first I thought it seemed a little strange to dye my hair just for the purposes of the photo shoot. But now I'm really into the idea. Hey, natural hair color seems like a novel idea again!

Monday, February 9, 2015

Snow Day, Sew Day!



We've been hit with lots of snowstorms in the Hudson Valley this winter, and I can't help but love it. Is there anything better than watching the snow fall from a cozy vantage point sitting at a sewing machine? The past year has seen some changes for me, including going back to work part time (more on that some other time) so I have to take my sewing hours where I can get them. And there have been a LOT of sewing hours recently.


I'm working on my next book, which will most likely be called Gertie's Ultimate Dress Book. I'm making 25 dresses. When I plan these things, it always seems so do-able and natural. "Of course I'll make 25 dresses for the book! Any other number would be insane!" I don't know if trying to make 25 dresses in a relatively short period of time is a sign of insanity, but it certainly causes it.


In good news, I'm on dress 24 and I'm proud to say that I couldn't be more excited about this project. The most difficult thing about making sewing books for me is trying to get my vision to align with the finished product. Things always seem to shift and change along the way of course, but there's always a fundamental concept that I want to come through in the end. (In my first book, the concept was vintage couture inspired by Vogue's New Book for Better Sewing; in my second book, the concept was the way vintage can be sewn and worn in our everyday lives.) Sometimes it happens, sometimes it doesn't. It seems to be happening more often than not on this project, so I'm happy as can be.


There's also something to be said for sewing 25 of one thing in a row. 25 zippers, 25 hems, etc. Just logging in those hours in the sewing room makes one a better seamstress. How could it not? I can't share the dresses with you yet, but I've sprinkled this post with some little detail shots that I've been taking along the way. And a cat.



In other news, I have a new Butterick pattern out! B6167 is a dress meant to get us all thinking about the warmer days to come. It's made here in one of my new fabrics that will be available in Joann stores next month. I love roses, polka dots, and border prints, so . . . why not all three?!


The dress has a boned bodice, a gathered bust inset, straps, and a full gathered skirt. 
I hope you love it!

For those of you in this stormy winter weather, I hope you're safe and enjoying being snowed in and getting some sewing done.

Wednesday, January 25, 2012

My Other Favorite Patternmaking Book

I've been doing a lot of patternmaking recently, and I realized I haven't written about a reference book that I use all the time. I have mentioned (on several occasions) my love for Dress Your Own Dress Patterns by Adele P. Margolis (updated edition available here), and I think that's a great one for beginners and anyone casually interested in altering patterns to make their own designs. But if you ever find yourself making patterns for professional purposes, you will probably want a more comprehensive and technical book. That's where Patternmaking for Fashion Design by Helen Joseph-Armstrong comes in. (I have the 4th edition; there's also a 5th edition now available.)

The book walks you through the process of developing a sloper set from scratch. But the real draw is the rest of the book (all 832 pages of it), which you can use to tweak existing patterns.

Though the illustration style (and some of the fashion) is a bit questionable (oh, and some of the hairdos are HI-larious), the content is stellar. It walks you through all the major principles of patternmaking, from dart manipulation to contouring the bust on strapless bodices.

One drawback is that I often find myself overwhelmed by the sheer volume of information. But I've discovered that if I follow the book's directions step-by-step (rather than trying to comprehend pages at a time), I'm always happy with the results.

The price is in line with most textbooks ($95 on Amazon), and it's got the content to back up that price. But if you're just getting into patternmaking, you may wish to start with a cheaper and less overwhelming text, like the Margolis (mentioned above).

Any other fans of this book? Or do you have recommendations of your own on this topic?

Friday, December 3, 2010

Book Review: The Party Dress Book by Mary Adams

 
How apropos! We've been talking about Black Tie and party dresses a lot here lately, and I also recently picked up this new sewing book devoted to making festive frocks. What you should know up front: The Party Dress Book was written by Mary Adams, a longtime custom dressmaker who is perhaps best known for outfitting Amy Sedaris on many occasions. (In fact, the fabulous Ms. Sedaris wrote the foreword to The Party Dress Book.) The reason I think this is crucial information is that it will help you understand the book's aesthetic from the get-go.
Amy Sedaris on the Letterman show in a Mary Adams dress
A ballgown designed for Amy, from The Party Dress Book
I love Amy's eccentric style, and that's exactly what this book is: eccentric. I'll admit that I picked it up once at Borders, flipped through it, and decided it wasn't for me. Some of the embellishment techniques, like neckline ruffles, big rosettes, and crazy-quilted skirt appliques, just aren't really my cup o' tea. But I judged too quickly, readers. Because, on second look, there is a ton of inspiration to be found in here: silk organza petticoats, luscious color combinations, and my absolute favorite: a stunning use of bias strips to embellish an entire dress. Have you ever seen anything so lovely? I want to do this!

In fact, since finally purchasing the book, I've completely absorbed it. The beginning chapters give you a sense of Mary's history as a designer, and they're rather fun, looking at her various influences: 50s glamour, Marie Antoinette, brilliant colors. I especially enjoyed the subsequent technique chapters, where she shows you how to use piecing, quilting, pintucking, and yes, the fabulous bias strips, to customize your own dress.

A page from the book, on quilting
I've taken a lot of her advice to heart, like her recommendation to use a narrow hemmer attachment to finish the edges of your candy-colored organza petticoats. And I've finally mastered that persnickety little foot! (With the help of this great YouTube video.) Also influenced by Mary's book, I've given my red lace dress a flouncy coral underskirt. I credit this book with getting me to loosen up a bit in my dressmaking.

The book does come with one pattern that will enable you to make a party dresses, using one of these three design/fabric choices: 1) layered organza, 2) pieced cotton, 3) soaked taffeta (see images below). It's a basic princess seam bodice with a circle skirt and a choice of a halter or regular straps. You could take the pattern and apply any of her techniques to it.


The book is skimpy on fitting methods and construction extras. She doesn't have you make a muslin or use boning in your bodice, for instance. The construction directions are straightforward and include a lining and an invisible zipper. I really liked her directions on making a petticoat, especially because I feel you can never have enough different methods for making a crinoline! If you're looking for couture methods, you'll want a supplemental text. While this isn't a must-have construction guide, I would definitely take a look to see if you think it might be a good inspirational text. It's definitely proved invaluable to me in my current party dress obsession!

Friday, August 6, 2010

I'm Obsessed: Alabama Chanin

I tend to burn through obsessions pretty quickly: one day it's millinery, the next it's owl brooches. The day after? It's anyone's guess. I used to worry about this aspect of my personality, but I've decided to take a different stance on it lately: that all these little obsessions add up to one unique world view - that they all contribute to my creativity in one way or another. So instead of fretting, I'd like to celebrate my obsessions here. And this week, it's "haute homespun" fashion line Alabama Chanin.

You may have seen the two sewing books out by founder Natalie Chanin: Alabama Stitch Book and Alabama Studio Style. I looked at the latter briefly when it first came out and mistakenly assumed that it wasn't my aesthetic. But then I saw a dress by this designer on display in the FIT Eco-Fashion exhibit and it was jaw-droppingly gorgeous. I also had the good fortune to meet a woman wearing a beautiful skirt that was handmade using the techniques found in Chanin's books. I was fascinated to learn that the method espoused by the books - and the line - is one of pure hand sewing. A machine never comes into the picture. The pieces in the line are created by artisan stitchers in Florence, Alabama. (The garments are fantastically expensive, as you can imagine.) But the real draw is the gorgeous embellishments.


I marched myself right back to the bookstore yesterday to pick up Alabama Stitch Book, and reading about the method is truly fascinating for sewing geeks and couture enthusiasts alike. (Plus, it'll make you itch to sit down with some intricate hand stitching!) The pieces are achieved by taking regular cotton jersey (sometimes sourced from old t-shirts), creating a deconstructed couture look with handstitched - often exposed - seams, and embellishing with intricate skill: stencils and fabric paint create the designs, and then the amazing handwork is created by applique, decorative stitches, and beading. The use of jersey, which doesn't ravel, is pretty brilliant: the applique edges can be raw, rather than that fussy look you can get with applique edges that have to be turned-under or stitched with a heavy satin machine stitch.


I'm not interested in copying these pieces exactly (though, if you are, the books are an awesome help for that). My question is: how can I tailor these embellishment and couture stitching techniques to my vintage aesthetic?


It's not quite such a stretch to imagine these techniques on 50s styles. After all, applique and beading was rampant during that decade. Can't you see these styles done Alabama style?

from Etsy
from Etsy


The real question is how to use the Chanin method, but achieve a more constructed look (rather than deconstructed) while still maintaining the simple, modern elegance of the embellishment?

I would love to try these embellishment techniques on a basic 50s-style dress like my swirly red one. The dress could be structured as usual (no exposed seams or unfinished hems for me). But I would use a stable knit like a doubleknit or a wool jersey for fall - this would allow the applique pieces to be unfinished, as on Chanin's creations. But it would be interesting to still structure the piece with facings, silk organza underlining, and horsehair braid on the hem to give it that 50s couture look I love. But then I would try a mixture of applique, reverse applique, and beading (and maybe sequins!) on the skirt border: with a vintage-inspired pattern like the roses on this lovely tablecloth.

Perhaps the dress would be a lovely saffron hue with white applique roses.

What do you think? How would you adapt the Alabama Chanin style to suit your own?

Monday, May 17, 2010

Sew, Clip, Press!

I've been eyeing this book for a couple months now (after reading a review on Threads), so I was super excited to find a used copy at Fashion Design Books last Friday. I've made it my mission to read it from front to back and thought I'd share some tidbits with you as I go. Let me tell you, I am loving this book so far. The chapter on stabilizers kind of blew my mind, but more on that later. In the second chapter, one of the things that caught my eye was the authors' SEW, CLIP, PRESS method. (Yes, it's capitalized like that EVERY TIME.) Here's the idea.

Thursday, April 29, 2010

Why Hello, Handsome!

Readers, I am totally geeking out over how awesome I think this bound buttonhole looks. I used a new method, and this was my FIRST TRY at it. I learned the technique in a new book I bought called The Sewing Bible (which by the way, is proving to be a totally worthwhile purchase), and it's very similar to this fabulous welt pocket technique. You face the buttonhole with a patch of silk organza and then position the "lips" behind it and attach them with a couple fancy moves. It's so completely rad that I'm going to make a video this weekend to show you the method in action.

You might notice that this fabric is the purple doubleknit I chose for my background dress. Which means YES, the Background Dress of Doom is underway! It's kind of a funny story. May I share?
So remember how I mentioned I was on muslin number three for this project and just couldn't get the fit right? Well, this is going to sound horribly careless, but I finally decided to just cut the original pattern with a bit of an extra seam allowance and hope for the best. I did a basted fitting. And guess what? THE FREAKING DRESS FIT PERFECTLY WITH NO ALTERATIONS.

All I can really do at this point is laugh at myself and hopefully learn from the situation. Basically, a few things were at play.
  1. The pattern I had was a size 34" and I was convinced there was no way it would fit. I started adding a lot to the side seams without really checking. Bad Gertie.
  2. I also reshaped the skirt without making it up as the pattern called for first. I was hoping for a curvier look, so I used the silhouette of my Jenny skirt pattern - my tried and true pencil skirt - to get a new look. I seriously distorted the pattern this way without even realizing it, as the skirt is meant to be a bit more voluminous in the front than in back, and I completely threw off the balance. And the more tweaking I did, the worse I made it. I'll say it again: Bad Gertie!
  3. Lastly, I made my muslin in well, muslin, but I'm using a doubleknit for the dress. Doubleknits can stand in for wovens as they're a very stable knit, BUT: this particular doubleknit has a fair amount of two way horizontal stretch, allowing the fit of this dress to be more formfitting rather than tailored. So I had more wiggle room in the pattern than I thought.
So there you have it! Lesson (hopefully) learned. The very hard way.

Here's an in-process shot of the collar interfacing. VoNBBS calls for muslin interfacing to be basted to the actual dress collar, and then bound buttonholes are made at the neckline, after which the facing (with no interfacing) is applied to the collar.

Below is the side zipper in progress. (Look how different the purple looks in each of these photos! It's such a tricky color to capture.) VoNBBS and other vintage patterns often use a strip of fabric as a placket at the front side of the lapped zipper, creating a sort of facing. Let me know if you're interested in learning more about this method - I took all sorts of photos for a potential tutorial.

And thus the Background Dress of Doom marches on in its heretofore troubled journey towards fruition. May it be smooth sailing from now on!

Friday, April 16, 2010

Weekend Reading

Here's a little tip: Never go to the FIT Bookstore on pay day. It's like going to the grocery store on an empty stomach, you know? You just want to buy everything. I spent about an hour in the store last night (until they kicked me out for closing time!), and somehow managed to leave with only buying one book. Albeit a very expensive book.

I love the FIT Bookstore. As long as it's not the beginning of a semester, it's always very peaceful. Plus there are big comfy leather chairs to sit in and read. And not the gross, greasy chairs that most bookstores have, but lovely, pristine chairs. They have more sewing and fashion books than you've ever seen in one place in your life. If you're ever in town for a visit, this bookstore (along with the FIT museum across the street) is a must-see. For what it's worth, there's another great bookstore across the street called Fashion Design Books, and it also has a great selection - as well as cheap muslin in many weights and a ton of notions and patternmaking supplies - but it's not as browser-friendly.

Anyway. The book I bought is Draping for Apparel Design by Helen Joseph-Armstrong. Thanks to your recommendations on yesterday's post, I decided to start my draping education with a good textbook. Hopefully there will also be a draping course in my future, but I'll start out with a little book learning.

Of the three books I was considering, I chose this one for a few reasons. First, I have the patternmaking book by the same author and really like it. Secondly, it's a huge, information-packed tome. I especially liked that there's a whole section on Vionnet's draping techniques.

And lastly, look at this design below:

Isn't it so similar to the Ceil Chapman rose dress I wanted to knock-off? I just adore this combination of a low cowl and a sweetheart bustier. Fabulous!


So there you have it! My weekend reading. I'll write a more in-depth review of the book once I've tried the techniques in it. Speaking of which, one of my many goals in the next few weeks is to update my post Building a Sewing Library so that it becomes an always-current resource list, and to link to it in my sidebar. More to come!

Thursday, March 11, 2010

Building a Sewing Library

I've always been a book person. I grew up in a town where the library was a converted one-room schoolhouse and I remember clearly the tiny children's nook on the second floor. I love to browse book shops and libraries, and I've worked in more of them than I can count at this point. It wasn't much of a surprise that my chosen career ended up being in book publishing. I mention books often on this blog, and I've recently gotten some requests for a post dedicated to my favorite sewing books. You demand, I supply!

I enjoy reading about sewing almost as much as I enjoy actually sewing. Is there anything better than curling up in bed with the new issue of Threads or a lovely vintage sewing book? As you can imagine, I have quite a collection of sewing books. But out of all of them, there are a few gems that I come back to again and again.

But before I begin, a couple tips for building your library:
  • Buy used. This cuts down on cost, and you can find out-of-print books pretty easily as well. My favorite site is Alibris.com.
  • Look for older editions. The book nerd in me loves having the first edition of sewing books. Plus, if you're sewing vintage, these older books correspond well to vintage pattern instructions.
  • Focus more on technique-based books rather than project-based books. It can be hard to resist fancy new books filled with tons of trendy patterns, but I find that these are the books I use the least. You'll get more bang for your buck if you focus on skill-building books.
Now, on to the list!
  1. SEW: Sew Everything Workshop by Diana Rupp. This is my absolute favorite beginner's book. Even if you've never sewn a stitch in your life, this guide will make you comfortable with the basics of sewing. And lots of cute projects as a bonus.

  2. The Reader's Digest Guide to Sewing. This is the classic guide that tons of sewists use and it's a fantastic supplement to your pattern instructions. Drafted your own Peter Pan collar but don't know how to sew it properly? Want to use a lapped zipper rather than a centered one? Make a simple waistband for a skirt without a pattern? This is your book!


  3. The Sewing Book by Alison Smith. This is a DK guide, which are known for their clear pictures on glossy pages. This is an all-in-one reference like the Reader's Digest Guide but with photos rather than illustrations. I use this as a second reference, after my RD guide.

  4. Design Your Own Dress Patterns by Adele P. Margolis. I'm obsessed with this book, as you've probably noticed. I have a 70s edition of this book, but it's available currently as Make Your Own Dress Patterns. If you're interested in making design changes to your patterns or drafting your own elements like collars, yokes, and waistbands, this is a fabulously accessible book that you must own.

  5. The Complete Book of Sewing by Constance Talbot. Published in 1943, this is the oldest sewing book I own. I love it for the illustrations as much as the time-tested techniques.

  6. Fit for Real People by Pati Palmer and Marta Alto. This is the fitting book I recommend to anyone who asks. It teaches you tissue fitting and how to address every fit issue you can think of. This covers dresses, blouses, and skirts.


  7. Clare Shaeffer's Fabric Sewing Guide. Whenever I'm sewing an unfamiliar fabric, I look it up in this book. It gives all the info you could need from recommended needle size, care guidelines, best finishing techniques, and more.

  8. Easy Guide to Sewing Linings by Connie Long. The bad news first: this book is out of print, hard to find, and quite pricey. But I got my used copy for around $30, which is an excellent price. I have to say, it is so worth it. Lining always brings up a lot of questions, and this book answers them all. I love her method of quick lining. (See the technique here on the Threads website.) Update! This book is available as a pdf download here for only $13.99. Thanks to the commenter who pointed this out!


  9. Threads back issues. Okay, this isn't a book, but I've learned SO much from perusing my back issues of Threads magazine. You can order back issues directly on the Taunton site (watch out for their 50% off sales), but I bought most of mine on the cheap on eBay.


  10. Couture Sewing Techniques by Claire Shaeffer. The classic text on couture sewing at home.


  11. Tailoring: the Classic Guide to Sewing the Perfect Jacket. All the tailoring I did on my red coat, I learned from this book. It is fantastic. Trust me.


  12. Pattern Drafting for Fashion Designers by Helen Joseph-Armstrong. If you want to get deeper into drafting patterns, this is an excellent resource. It's geared toward fashion students (and it comes with a textbook price), but still accessible to the home sewer, I think.
Did I skip any of your favorites? Do share!
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